In the streets of the metropolis of Kinshasa, young Congolese imagine their version of the colonial past. An empty pedestal that used to carry a Belgian monument functions as a junction, a point of intersection that connects different interpretations and forms of representation. “We consider Échangeur as one form of output of a larger project, an ongoing exchange between young people who are looking for ways to relate to the colonial past, its images and the continuation of colonial structures in the present.” (Anne Reijniers, Rob Jacobs)